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King. Arthur. Banner. Saxon Ring Of Arthur As The Scythian Navigator, Thunderer, and War god. UPDATE: Without a doubt certain aspects with the iconography of this ring have a primary theme with the making of the Soma of the Indo- Europeans and, or the Homa of the Indo- Iranians. It appears that there were two processes in the making of that sacred drink.
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![King Arthur Rus Full King Arthur Rus Full](http://williamrrush.org/ASHull.jpg)
- This author traces his Jewish heritage and proves European Jews are Caucasian sons of Japheth in the tents of Shem.
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Foreword part one: rise and fall of the khazars 1. rise 2 conversion 3. decline 4. fall part 2: the heritage 5. exodus 6. where from? 7. cross-currents 8. race and myth.
The first process is shown with the ring upside down, it shows that it is a drink of the gods (that possibly had been made as a votive), there are indication that it would have been poisonous to humans. The second process is shown with the ring right side up shows, the symbolism shows that the actual effect of that drink was as an energizer and fertility enhancer. Along with this it could be speculated that the first stages of the making of that drink gave it hallucinogenic properties, therefore it can be assumed that this may have been for lower level initiates or to trick those who had stumbled on the ingredients and process. The art with this is even more abstract and hidden, although it is exact. Other art and inscriptions identify various Saxon or other Germanic gods and goddesses. Some of the iconography and inscriptions on this ring are similar to those seen on the Roman Germanic Saxon Woman's Oath Head Band Pendant with the Roman Amazon Collection on romanofficer. A separate category with other information and pictures is posted after this picture group and information.
This exceptional ancient ring is unmatched in it's abstractness and effect. The minute engraving and incredible amount of detail is extraordinary. It is a sort of ancient computer chip, a micro world of symbolism which provides information on the supposed territory, history, and belief system of the ancient Saxons. This was when they were a Scythic people, possibly of the tribe known as the Royal Scythians.
Much of their belief system appears to have been a mixture of mysticism and an attempt to understand natural forces. This may seem amazing, but it also has an unquestionable harshness to it. It appears to validate the research of Sharon Turner (1. Saxons were from the Caucasus and of Scythian origins, that is according to information provided by ancient writers. The famed writer and scholar JRR Tolkien (1.
![King Arthur Rus Full King Arthur Rus Full](http://img13.nnm.me/e/a/5/5/3/ea5534222f818277fe0f896c39e9926c_full.jpg)
![King Arthur Rus Full King Arthur Rus Full](http://img13.nnm.me/6/f/b/b/8/6fbb89f6893ff17ff6a9b7274c588391_full.jpg)
Turner's writings, but there are differences. New information will be added as research continues with this artifact.
Current information concerning this Saxon ring is divided into four sections as follows. Description of this ring and its connection and meaning to the Scythians. The Saxon and Arthurian meaning of this ring. Artifact Group. Bear Artifact Group. Description of this ring and its connection and meaning to the Scythians.
This is a 4th to 5th C. AD Saxon silver and iron ring done in a Celtic Saxon abstract style. It is an American size 1. New information suggests that this ring may also be of the Heruls (Heruli) and, or the Ostrogoths, or a descendant of those peoples. The square shape of the bezel is typical of the various Germanic tribes of the Migration era, but most particularly of the Goths and the Saxons.
Some of the Saxon identification is based on the art style, but mainly on the two large Ws (or Ms) on the top and bottom of the bezel. This motif is seen on artifacts of the Germanic tribes of the Migration Period (and also with the cultures that they were in contact with), but none so much as the Saxons. Interestingly, some of the engravings show influence from the Alans (a nomadic Iranian speaking Steppe tribe associated with the Scythians and Sarmatians), the Zoroastrian Sassanids (aka the 3rd Persian Empire), but also a bit from the Byzantines. Therefore it can be suggested that this ring had a connection to someone associated with the Silk Road, possibly a merchant or a mercenary.
The fact that the ring is made of silver does not suggest that the owner could not afford gold. If gold had been used, only a fraction of the detail of the engravings would be visible. The rings square bezel may have been created from a seal stamp with additional engraving (and scratch engraving) added to create more detail. An example of a 7th to 8th C.
Saxon silver pendant is shown with the Artifact Group Pictures as Artifact Group picture 1. Much of the detail of the miniature art seen on this ring indicates that it had to have been done with the aid of a magnifying lens (although not completely proven, there are artifacts and ancient writings that attest that magnifying lenses were in use in ancient times). Due to the high level of miniature detail on this ring, photographs will be updated periodically as my photographic technique progresses. Although I believe this ring to be of Saxon origin with Herulic and Ostrogothic influences (and also possibly Celtic Germanic Alani influnces) from the 4th to 5th centuries AD, much of what is shown on the rings bezel suggests that it is associated with the myths and legends of the ancient Scythians (8th to 3rd C. BC, but existing as scattered tribes up until the 3rd C.
AD, some under Sarmatian rule), as well as with other even more ancient peoples. Much of this may have been absorbed by the Celts, the Germanic tribes, and the later Norse. At least certain aspects of the mythology represented appear to be Arthurian. Many of the themes that can be seen here may be in line with the theories of Linda A.
Malcor and Scott Littleton, authors of From Scythia to Camelot. BEZELThe ring shows among many other things, a god which appears to have three aspects (a triad god). The first aspect can be seen in an abstract depiction of a god kneeling in his chariot; the chariot may in fact be a sea shell and the back appears to be a drum top.
The god is wearing a wide band (as if fur?) cap with three balls (this is done with miniature cutout, showing the three balls in shadow form) and a pointed top; the cap is tilted back. Directly on top of this hat is a horizontal arrow head (much like a Scythian triangular arrow head) pointing to the front. If this is viewed closer it will show horizontal lines that look like fingers and a diagonal vertical line. Facing in the same direction is a cutout of a square faced bear head with a long neck. The square head is similar to Europe's extinct cave bear (speculated to have become extinct circa 1.
BC). The long neck resembles that of a polar bear. This may be a created image or it may be of an unknown ancient hybrid that became extinct. This hints of a theme of navigation, as the polar bear is known to have an usually good sense of direction both on land and in the water.
There are circle dots that form a triangle near the lower front portion of the bear's head, this represents a fang that is also a female bear (sow)or bear cub's face, although it may not be related it should be mentioned that the polar bear is the only bear known that will hunt humans. The line with the fingers is on top of this; the finger motif and the diagonal line shows that this is where the bear's eye would be. Therefore the fingers which form the bear's eye, the diagonal line, the top of the god's head, and the bear's tooth are all connected. Behind the god is what appears to be a Saxon concept of the world tree (and also Aurvandills basket?). In front of this tree type motif is a long upside down L staff. This may be a type of staff that is used by Siberian Shamans, who use a staff to lean on when communicating with the other world, or an L drum stick; or, it could represent an axe/hammer (with two balls done with indentations on the bottom; these two balls may represent drum heads) which the god is holding from behind.* There are curved diagonal lines facing upward towards the corner; when these are viewed with the cutout of the bezel edge and the bottom back of the chariot they resemble a sperm whale's head.
In this instance the fingers with the diagonal line that represent the bear's eye and are on top of the god's head will appear as a water spurt coming from the whale's blow hole. Under this at the same area as the god's face is where the sperm whale would carry its spermaceti. If I am correct, the diagonal line with the fingers should represent a needle; this would mean that the needle comes from the top of the god's head, the bear's eye, or the whale's blow hole, but is also connected to the bear's fang. It should be mentioned that the whale is in the direction of what appears to be the pole star.
This suggest a knowledge of an actual sea journey to reach the Arctic land mass (or an island that was perceived as the same) that may have been thought to be the connected to the pole star, or was the pole star (there are a few of parallels with the theme seen on this ring's bezel and Melville's 1. Moby Dick" classic). The god is clutching in his hand a smoking pipe (a type of pipe that would be used while lying down on one side). In front of the bottom stem of this pipe is a poppy flower (a narcotic extract from the poppy flower is thought by some to have been used by ancient Steppe Shamans). This poppy flower may also be a forge bellows, which may connect this more to the Indic Fire god Agni.** It appears that there is a connection with the front of the poppy flower and the rear of the horse. There is a horizontal V on the horse's rump (part of the rump as a bellows?) at an upward angle that may suggest a funnel (as to receive something from the poppy flower, as in the flower's pollen or juice, or smoke from the pipe?). This may have a fertility meaning, or it may be related to the first step of the process of milking mares that the Scythians practiced (this is mentioned by Herodotus in his Book IV of "The History, aka Melpomene").
If this depicts this milking process then it suggests that the Scythians may have used an actual mare to filter the effects of the poppy flower's extract. The resulting milk may be the Soma drink, or something like the Soma drink; there will be more on the subject of Soma later.